available on vinyl (limited to 200 copies, no repress). release number eight on telefonplan is an all family affair. joining mad mats & toolis team of artists is swedish producer wiz andreas saag. mr saag has taken the leap from local talk and now makes his debut on telefonplan. opening track justice is dark, deep and with a sumptuous bass to sink your teeth into. it is rough and punchy with a clever vocal sample that almost works like a chant. justice comes in two versions, for those of you who like your song instrumental we have made sure your wish is granted too, it still got enough intensity about it without losing the pulsating heaviness. on the flipside, call of yacuma could be described as a grittier and stripped down version of andreas previous local talk track in the box. it is pure simplicity and groove makes it simply irresistible. listening to these tracks it is clear mr saag has been influenced by living in berlin these past years. both justice and call of yacuma wouldnt sound out of place in a dark club with a big soundsystem late at night. just make sure you get past the bouncer while entering the club.

2014 was a definitely a huge year for dance music, with many up and coming artists being thrown into the lifestyle of hectic partying and relentless touring schedules. this also means that those who exploded onto the scene prior are no longer the new kids on the block. a few years is a long time in the life of a dj, and the first few years are often the maddest. the adana twins are a perfect example of one of these artists, having emerged onto the scene in 2012 with releases such as everyday and strange , from the off it was clear that they had everybody s undivided attention. (pulse radio) with dj names like take it easy and friso, it s probably to be presumed that german duo adana twins don t take themselves too seriously. that tongue in cheek attitude could be heard on their first productions and remixes. it s now almost almost three years later and the twins music vision is constantly developing

here it is, the 12th record on 12records! this time with a remix edition of the deep88 & robert owens collab. a1 is jacques renault with a pure class dubstrumental remix, floor killer! a2 is time for abyssy and his chicago like remix, made in this day but with the heart and soul like it is still 1989! b1 is the one and only melchior sultana, creating a balearic anthem remix version, ready for the new summer of love (that we hope might be this one!) b2 original instrumental

one modest man known as das komplex has been steadily producing music for almost a decade now in his quiet hometown of koszalin in western pomerania region of poland. it could have stayed like this if not for maciek sienkiewicz (veteran dj and promoter, one of the pioneers of polish electronic music scene), who picked some tunes for his new label fasrat. as the artist himself prefers to stay out of the spotlight, let the music speak for itself: from sun-drenched, guitar-driven like a fish (remixes coming from some key players in modern disco/balearic scene), through futuristic disco of -narkoleptyczni troche- and hazy deepness of nowadays, towards epic, over 13 minutes long, jazzy, dreamy, but no less energetic -siren-. elegant, original, infectious grooves for club play and home listening alike. limited edition with cover art by acclaimed contemporary painter aleksandra waliszewska

british powerhouse alan fitzpatrick returns to figure with his second ep on the label after 2009 s weed killer / science . since then its clear that alan has continued on a dedicated, valiant quest to find his own sound, and the results are on show here, with a heavyweight, emotive and futuristic techno three-tracker. like a warm rush of endorphins on the summer breeze, alan s rich up-building sound is perfectly represented in tracks like a subtle change , with its jubilant stab-led melody, or the modern club-weapon vibes of trigger finger . harking back to late 90s uk idm and proper dub-techno atmospheres, fitzpatrick then gracefully crafts a down-tempo, space-out version of a subtle change for the b-side, providing the afterhours sessioners with a new buzz-track.

after life recorders 90 state release, argumento strikes back with the 9th argument ep, a various artist record showcasing an uncompromising techno, carrying the new fresh sounding grooves with traces from the past. peter sliwinski aka echoplex does not need any introduction. more than 2 decades present on the scene with numerous classic works on his label soleil and other platforms like synewave, end to end, imf, he always represents the detroit sentiment spiced with pounding grooves along the way. this time is also not different with his opening track of the ep called recovered.

black vinyl 180g jacked in full colour printed sleeve. non succede niente- as a stagnating state of mind that rises into neurotic anguish, - non succede niente - as the soothing chant of a mother to her baby. mace s new ep blends in its track these two antithetic yet intertwined situations. “non succede niente - for this reason is drenched in this sort of unfulfilled dualism. these extremely different states of mind are juxtaposed in the succession of the tracks, where introspection and auditory blurriness of tracks like * 21% * or * la fine del sistema aureo* - in this last one the recollection of long past memories is both related to childhood reminiscences and collective historical memory - give space to the shining awareness and self-determination of * ti fissano* and the hope for the future portrayed in * synàptein*.

connecticut s jon beall, recording as entro senestre, has gained critical acclaim thanks to brilliant releases on labels like w.t. records, echovolt and l.i.e.s.. on his debut for dekmantel, beall has taken his signature vintage flavors of techno and electro and pushed them into news spheres of the frightening, combining chalky, continuous drum tracks with an ear for emotionally challenging melodies. championing timeless electro-techno that breathes real soul, this four tracker does senestre proud and alters a dynamic ep that is ear-piercing and contemplative, nifty and evocative.

walk dance talk sing is the seventh album by much-loved crazy p aka danielle moore, jim baron and chris toddy todd.

teil 10 der *about: berlin* reihe mit 32 tracks auf 4-fach vinyl inklusive downloadcode.

after debuting earlier this year on a collaborative split with max_m for parachute records, italian producer wrong assessment lands on m_rec ltd with his very own 12. disillusionment is a tightly programmed techno tool packed with groove. there’s a warm and almost melodic bass line here, clearly indebted to the detroit groove, but darkened as it has become custom with italian producers and their sound. the loops that develop around it are of the hypnotic kind… the sound that recently made m_rec ltd label of the month on resident advisor. parachute affiliate cw/a (already involved in clockwork and avatism) delivers a prime time remix that transform the original into an aggressive techno anthem. playing intelligently with the elements of the original, the remix delineates a very interesting narrative as it fluctuates between harshness, funk and psychedelia. expect major playtime. on the flip side, ‘persecutory beliefs’ is basically a tribute to all proper techno dancefloors. with tension and tightness, the track revolves around a forward driving ravey refrain perfected for those late night sessions. closing the ep, ‘inner turmoil’ follows a similar path, but gets druggier and more crepuscular as it evolves. like throughout the entire ep, there’s a love for proper 90s techno at play here. dark stuff for late, late nights. is it clear that max_m and his label m_rec ltd have discovered major talent in wrong assessment. expect more great things throughout 2015.

a new faze in pi gao movements resurrection series has arrived. continuing their ongoing quest with return from the abyss. endlessly feeding the ultimate machine that is ultradyne.

not content with a rich and flawless back catalogue of releases under a plethora of monikers such as dabrye, jtc and charles manier spanning multiple genres on a wide variety of labels such as ghostly international, rephlex amongst many others, and a career spanning 15 years, 2014 seemed like the right time to make plans to create an imprint with the aim of releasing the the rich flood of music that flows forth from tadd mullinix’s ann arbor studio. those plans have come to fruition and the first release this year is a 3 track 12” from jtc.

joakim wishes to say few words about his new new ep: ‘each other is one of my favourite tracks on tropics of love and the most emblematic of a direction id like to explore - slower, more soulful, more sensual.

after the last lessizmore release found san proper and maayan nidam crossing swords for the simmering, jammed-out tones of it was a night like this, now the label turns to another close ally for a slice of discerning, upfront house music. louis mcguire lives many different lives in music, from drumming with indie pop outfit ballet school to playing bass for lo-fi electronica group the waves & us. now though his own solo productions are being noticed in the house and techno world, with this new ep following on from a well-received debut on supply records. the diversity of mcguire’s musical leanings feeds into his distinctive sound, as his own take on stripped down, sensual house music bristles with unconventional energy to make for an unforgettable experience that steps up to the most creative frontiers of dance music. live drum sounds rattle around the mix free from quantized safety, while the melodic tones come on warm and fuzzy, capturing the hazy romance of a late morning session as much as the early part of the evening. it’s apparent that mcguire’s weapon of choice is the mpc, channeling his love of gritty beats in the grand tradition of point g and j. dilla. you can hear the spirit of the most adventurous micro house pioneers in the quirky funk of light hearted, while Óreitha revels in the transcendental qualities of a sustained groove without even a whisper of monotony. even with these unusual qualities the music is resolutely built for the dancefloor, and that mcguire manages to be so creative and so focused in the same beat is reason enough to keep tabs on this multifarious and unpredictable operator.

uk jazz head aroop roy is back with his highly successful series of brazil infected reworks. like on the previous volumes he sought out his fave tunes from brazil and fine tuned them for your djing pleasure. its all very classy and well produced but most important, its very good dance music!

claudio coccoluto goes back to print with the dub records. after spending over a decade in hibernation the claudio coccolutos record label the dub comes back to life with a new disco tinged offering from the label boss himself and sets the tone for a full schedule ahead. claudio coccoluto is one of italys most famous musical sons, a dj, producer, radio and tv show host and music writer. he plays all over the world at clubs and festivals as well as for brands like mtv and peroni. using everything from the vintage sounds of chicago and detroit to the ultra modern music coming out of europe and everything else he hears around the world, claudio coccoluto is never afraid of experimenting with pioneering sounds and allowing others to be influenced by his never ending search for the next record.

electronic music approximately 35 years after bands like kraftwerk opened the magic box. a lot happened since then and it seems all is said, done and invented. however it is almost surprising that new things still pop up here and there when it comes to electronic music production.

on the aa side is the previously unreleased instigator while on the a side he reworked golden teachers

we are pleased to announce the first of a special vinyl ep series, to anticipate some of the forthcoming rebirth releases. the first volume include music from c.vogt & patrick jeremic, villanova and brisa. c.vogt follows the success of the infamous in 2014 with after all it s you , a collaboration with his fellow producer patrick jeremic. son of the violinist k.vogt and a great musician, chriss started studying the piano and saxophone and rapidly entering walls of the world of electronic music ! live drums, bass and another fantastic rhodes theme, this is pure class ! adrien and marco aka villanova hail from france and have really put their sound on the map in recent times. they have recently released music on labels like my favorite robot, cocoon and no19 music and recently played clubs like rex in paris and space in ibiza. monk is the debut track for rebirth records to anticipate the release of their ep, a monster piano number ready to fire the dancefloors....

2015 will be definitely a strong year for affekt recordings, great releases like from uncode, mtd, d_leria already heading the way into a new strong year. just after the first limited vinyl release with remixes by par grindvik, dj emerson and uncode, affekt recordings presenting the first lp from mastermind alex dolby called omen. nine tracks of fullest techno influenced by the affekt club in italy.

sweet valley is nathan williams (wavves) and his brother kynan, two bongwater-soaked beat geniuses making rap instrumentals that feel like melted playstation games. mndr is a one-of-a-kind artist and songwriter versed in britney and breakcore in equal measure. put them all together with producer peter wade and dance 4 a dollar is the result, a darkly catchy cali masterpiece. sv chop up strip club 808s and woozy synths like they are reclaiming trip hop for the dj mustard era, while mndr explores the underbelly of radio songcraft, finding the creepiness inside champagne anthems and coating tales of teenage nihilists with rihanna-worthy ear candy. decay never sounded so sweet.

argot is excited to welcome john barera & will martin to the label with their spectacular ep, 1.2,3 (feels right). still aglow after the warm reception to their dolly-released debut album, *grace*, the boston/nyc duo deliver a versatile record whose four house cuts burn no matter where you put the needle down. john and will flex their skills on anthemic hardware jams like the title track and *high tide*, the rhythmic whirlwind of *spin cycle*, and sublime deep house groove, *the bog*.

180g, black double vinyl lp version of *run*

dont expect to see *played by* or *support from*, or anything like that in our new release, this is quality underground music not meant to make you jump on the dance floor, but to take you on a trip to another dimension. we are back and this is just getting started...

opener -she loves it- layers graceful elements, drifting sounds, pirouetting percussion and lets them slowly roll in like a thick fog. bvoice,anrilov & sickdisco deliver a more minimalistic version of -she loves it-. this guys are a great trio from moscow, analog gurus, already released on pro-tez, highway, time has changed, body parts. on the other side we have another piece of material from kirik called somewhere, which does the same job with similar elements. its melodious drum loop is the fulcrum around which densely layered hi-hats, shakers and various pads bounce and rotate. label boss, dirty culture deliver a more driven house version of somewhere, a more digestiv aproach. good vibes and melodic grooves from eastern europe, on wax!

superconscious is here with its second instalment last time we brought you a solo production from imhotep, whom is one half the zanzibar chanel duo and co-founder of ruff records. this time we bring you the other half mysterious melbourne citizen and all round cool-guy luis cl. featuring four stompers which we wont bother trying to explain, because explaining music is like describing your dream last night. just enjoy yourself and listen.

this epic space jam hit where it hurts and showed no mercy. beyond evil production by allan goldberg (producer/arranger for santo, slang, azoto, gaznevada) with vince tempera killing it on keys, you can t go wrong on this drugged out monster! this sounds next level even now, you can only imagine what it must have sounded like in 1977, a mighty beast that kicks the discoball out of the stratosphere!

two slices of brilliant brazilian disco, painel de controle have a few bangers across their rca lps, these two being my favourites. *relax* is a straight up boogie monster, well known to deep disco & boogie heads flipped with *malandrinh* with its insanely catchy guitar. the original brazilian *relax* 7 inch plays at 33rpm (like many brazilian 45s), if you know you are cutting you will know this is not ideal. our new 7 inch is 45rpm and cut from a super crisp new master from the tapes at timmon cutting labs, sounds about 5x better than the o.g. ... simple choice.

the australian dj, producer and musician jad lee likes to have several irons in the fire all at the same time. for instance hes a member of mitzi (along charles murdoch and dominiqe bird), one half of the pan-pacific indiepop duo twiggy lashes and a solo artist known as jad & the ladyboy. under this moniker he releases music which can be described as soulful house with plenty of disco influences. for never come back down jad had singer mark borgazzi in his studio to cut a precious, groovy two-stepper into a genuine pop diamond. in order not to get only radio airplay, but also to be played out in gloomy underground clubs with extra fat subwoofers yannick provides his homicidal sexfactmix. with its untamed bassline and a milling-machine like synthesizer this feels like an unchecked punch to the gut. there will be blood on the dancefloor!

re-issue of the 1974 compilation *boggie chillun* by blues legend john lee hooker on heavyweight 180 gram double vinyl.

following the success of the first three releases, polish imprint transatlantyk is back with more playful dance floor jams. this brand new offering showcases the unusual production talent of a well known polish hip-hop beatmaker lukasz maszczynski who until now was best known for serving fat beats for best underground rappers under his kixnare alias, under which he also released 3 solo albums on the polish u know me imprint. his new alter ego - universo - is dedicated to deep and raw house-oriented music, leaving soft, r&b infused electronic jams and raw sample-heavy beats behind. the ep opener amazones fuses rolling bass and synths with heavy drums and mind enhancing soundscapes, creating beautiful late night jam. chrome takes its sounds and inspirations out of chicago house playbook and works them to great effect. yebo is the perfect peak-time banger. its rolling, irresistible groove and chords are reminiscent of motor city drum ensemble s finest moments. fat, fresh and funky! closing the ep is sus , a deep ambient track with liquid-like synths pouring bits of melancholy on top of delicate drums. all four tracks have been road-tested by the transatantyk family and will be the source of endless fun for you and the dancers on the floor. ahoj!

another various artists special from the mighty bokhari camp... two fresh tracks from the lord lucan-esque disappearing russian, kirill tipo, whom we ve been chasing since 2012! creta kano on the flip gives us a slice of electro that sounds like it could have been made in 1988, with a bassline that ll be in your head for days. still high from the scott grooves props of his last venture with bokhari, joe europe returns with another slice of deepness for those who like some musical content in their house

atjazz on local talk! pretty good combo right? well, just wait until you hear fox tooth and we re quite sure you ll agree with us that this is something above normal rank. martin iveson aka atjazz gave us a release that will work just as well on big sound systems as well as in those dark house basements. the original version is an electronic house jam that s equipped with all necessary tools in order to peak in the main room but without all the played out tech-house schemes. it s uplifting yet dark and carves a very personal groove - yum ! oh, don t miss the killer break down...big! the second version comes in the form of his inspired atjazz galaxy aart dub and this to be fair is more of a remix than a dub. here we step straight down to the darkness for a warming deep house cut that sounds like something from the prescription archives but still retaining the trademark atjazz sound. this is simply, sophisticated house music for those who like things real.

nervus viii-i is a compilation of 5 tracks from 3 different artists, squeaky lobster (brussels), jerk (lille), hellboy (denhaag-brussels). nerve system records doesnt like to label the music into genres or put them in boxes, but if we really have to describe it: a mixture of eclectic style, soulful electronica, idm, melodic breakcore & dark, industrial electro.

two dubbed techno wonders on a coloured 7 platter. lars fenin, born and raised in hamburg has been around the music scene in berlin since the mid 90ties as reggae guitarist/songwriter/live-act/artist/producer/dj. his first experiments in electronic music started in 1998 with some friends in hamburg, followed two years later by his first ep release called &#8243,,,,,herr pitzelberger dreht auf” for the berlin based label shitkatapult. since then fenin has released several eps and albums for his homies shitkatapult as well as 12&#8243,,,,,, s and remixes for labels like echocord, revolver, eintakt and mitek among others. along the years he could boast collaborations with artists such as deadbeat, mikael stavostrand, d-meteo, k.j. gibbs,horace andy, der dritte raum, eraldo bernocchi and jeff milligan. since 2008 he runs also his own label called dock-records. soundwise, fenins productions range from roots reggae/dub pieces to cordish/melodic techno sets and electronic alike soundscapes. the future is unwritten.

ovc is from chicago where he has been producing, and playing out electronic stuff in one form or another for like ten years including a lot of gigs and some residencies for example in sonotheque. but it s only the last three or four years hes gotten into the deeper side of techno and recently into the deeper/dubbier techno style, his music is a little raw as he does it all in hardware just live to two-track. he weaves together deep narratives out of a collection of blinking sequencers and drum machines, always assisted by a generous dose of reverb and delay. ovc releases with us on telrea the first 3 tracker we have done. all 3 tracks being on the calmer side of electronic music, rich in depth of sound and motion.

** vinyl only ** 180 gr pressing
after norm talleys ep back in 2013, its a pleasure to welcome again another artist from the d, gari romalis. releasing on labels like rawax, bosconi, on the * disorient ep* gari delivers a versatile record from house to techno, exuding a warm and eclectic vibe designed for the dance floor.

repress , leleka and udacha artist dices resurfaces on split-based label fields & forests, overseeing their debut release which introduces untitled gear, a collection of artistically minded individuals from the st petersburg area. encompassing musicians, producers, photographers and singers, untitled gear sound like quite the sprawling group but there s a sense of cohesion and tightness to the four tracks here. falling deftly into the pocket of jazz influenced house that vakula has helped pioneer, untitled gear sound best when vocalists are employed, see the stupendously cosmic throb of *nothing is over* and the sultry swagger of *flying high*. more please fields & forests.

midas104 is a rising young producer which flies between pretty deep house and soft techno sounds. always hard at work his output is huge and after releases for high profile labels like katermukke,crossfrontier audio and parquet records he is about to release his next ep named humming top on ursl records this year

one per person pls following her debut on the music for shut-ins compilation, antenes concocts three tracks of otherworldly techno on l.i.e.s straight from her nyc workshop. tip! *antenes operates a laboratory of self-made analog sequencers and synth modules built and manipulated in the name of rhythmic, sonic and spatial exploration. antenes signal path transforms synthesizers into sequences that burst with percussive energy, bouncing sound through sound like so many fuzzy am radio stations clipping during a late night drive. the result is a sound fundamentally unique and viscerally propulsive that shuttles dancers into a vortex of electro pulses. *

out-of-print since 1994, this early release from the large music camp (on sub label swing street) has reached cult classic status and forced many a collector to seek out the few remaining rare copies available. much has been said recently about the production team of black ice, this release showcases the reasons why they are so highly praised and have been re-discovered as major influences in the chicago house sound. five tracks here that all feature raw and textured rhythms mixed perfectly with splashes of melody and soul.

we are proud to have dug out these two bomb tracks from the 90&#8242,s by manchester legend kid simmons. for some weird reasons these tracks were never released, but here we go now: 2 funky house bombs that will make you bounce and jump like there was no tomorrow. expect more to come from the archives of this man!

groundbreaking scientific news from the franconian space hq. ministers johannes albert and johannes paluka did some research on the moon for their new moon-project. they told us about the days and that it’s not that quiet anymore up there as people thought so far. don’t expect weightlessness up there, expect more abfahrt, they report. but they also discovered new robot dance moves in the nighttime. better known as the dark side. as always international interest in this is huge. moon, the first franconian techno-scientifics in space, checked out the area with very special research findings. smells like future historical stuff.

kensuke fukushima is an up and coming talent from japan. growing up heavily influenced by rock and jazz, he learned to play multiple instruments like lead and bass guitar as well as piano. he s had a few previous releases on labels such as onovu & leap records and was featured on a recent v/a ep on roundabout sounds entitled, fly pattern ep. label boss joe babylon reached out to detoit house legend d wynn to remix the title track. for those that don t already know, d wynn was the resident dj at the histroic music institute as well as tour dj for inner city. he s also one half of r-tyme with derrick may.

the second offering from brooklyn-based let s play house offshoot, room service, is, like the first one, a four-track solo ep by one of the most exciting house music talent s around. records features four originals by spanish producer kresy, who s already released a few 12inchs on the esteemed hivern discs as well as retrofit, freerange, and his own discomaths. the songs included here vacillate between hands-in-the-air feel good disco and jittery, shuffling house, though they re all unified by an inherent grooviness and bright tonality.

theres a lot of techno out there but none of it sounds like stanislav tolkachev. in the past few years the prolific ukrainian producer has molded his love for old school techno with enormous doses of experimentation and tension.

i am very happy and excited to present the new ep by claudia anderson on singular rec., its her second release on the label and its a real pleasure. she cooked a really varied record once again, liquid forms takes place on a1 and its real voodoo here, the effect of this track is very unique, it’s space and deep, surrounded by many little effects that give such a special result, then comes neutral state, a timeless dub & house feeling, very loopy, that reminded me some stl cuts. be one opens the b… i ve been really sensible to its very sexy percussions play and delayed lead, it transports literally during all the length, its very high quality. to end properly this ep, claudia did a superb ambient cut, everybody knows i love ambient and so here i ve been charmed… its a deep, noisy atmospheric track that close the all perfectly, with simple little percussions that come and go, just what it takes… its a confirmation of all the good i thought about claudias talent, a very subtle, deep and charming record, and i hope you will like it as much as i do! marcelus.